News
Building A Confluence: The Photography Collection at Tusen Takk
Artists don’t operate in a vacuum. We build on the shoulders of those who came before us and those working along side us. That’s the way it’s meant to be if you’re interested in making things that have a certain quality. This ever-growing collection of images is here as a resource for Tusen Takk’s guest artists to help them in their efforts to make the intangible tangible.
Tusen Takk: A Place for Photographers
Tusen Takk is a place that’s been especially built by Geoffrey Peckham, our founder, for fellow photographers who want a time and a place to print their work. Though the solitude and the beauty of the surrounding forest and Great Lakes coastline is stunningly beautiful, the real draw of Tusen Takk for photographers is our printmaking capabilities.
Many Ways to Right
Several times over the course of Vaune’s time here in the studio I heard her say, “There are many ways to right.” That’s it. That’s the perspective that changes everything.
The Ice Cometh - A February Reflection
Like much of the best art, music, and writing, this frozen landscape is as beautiful as it is strange. It’s never the same, it’s always changing in surprising ways.
Artist Interview: Dan Webb
A conversation between Pilot Artist Dan Webb and Tusen Takk Founder and Director Geoffrey Peckham
Artist Journal: Brianne Farley
“A thousand thanks to Tusen Takk for giving artists financial support and tools and a gorgeous place to stay. A thousand thanks for seeing just as much value in play and growth as in planning and production.”
A Christmas Response
In short, the building of Tusen Takk’s was a response to an event that ushered in an outpouring of love which the world is still struggling to come to terms with. It’s a love that’s so radical and regenerative that it breathes the deepest meaning and purpose into life.
From the Heart
With Thanksgiving Day four days away and the wind howling off Lake Michigan this morning, I am counting my blessings. Tusen Takk is a place for such reflection.
On the Inside Colors
Marks are ok! I want [the workbenches] to be marred, to have ink stains on it. That’s part of Tusen Takk’s ethos, a visible reminder that this is a making place.
On the Outside Colors
But in the end, all of the color choices were made on what seemed right, the hue and saturation that fit that specific material on that specific surface in that specific location.
Artist Interview: Alan Eaker
A conversation between Pilot Artist Alan Eaker and Founder and Director Geoffrey Peckham