Fall 2024 Community Updates
Center for Maine Contemporary Art, Rockland, ME
September 28 – January 12, 2025
Cut, Bend, Burn is a solo exhibition by 2025 artist-in-residence Letha Wilson. The exhibit will display a selection of Wilson’s work spanning the past nine years and highlight her enduring curiosity and ingenuity within the photographic medium. Cut, Bend, Burn is a culmination of Letha’s fascination with materiality and the permeability of the photograph as a physical object.
Image: Letha Wilson, Nevada Moonrise Metal Fold, 2018, UV Prints of aluminum, 38 x 152 x 10 inches. Image courtesy of the artist and GRIMM Gallery.
Margie E West Gallery, University of Georgia, Athens, GA
August 29, 2024 - November 07, 2024
In Inland, Hong Hong examines the body as a closed ecological system, where various materials continually interact to sustain and regenerate itself. The large-scale paintings are made from hand-formed paper imbued with fragments from the natural world and Hong’s personal history - invasive plants or soil collected from Leelanau Clay Cliffs, objects preserved by her late grandfather, water from the Atlantic, images of the moon, poems written by Hong and then translated by her mother. This exhibition considers subjectivity as a remote region, sovereign and far from all borders.
New Britain Museum of American Art, New Britain, CT
September 6, 2024–March 30, 2025
Light and shadows, landscapes, voids, and reversals; the subjects of upcoming resident Fritz Horstman’s forthcoming exhibition are simultaneously very much of the everyday world and also something less easily defined. His Folded Cyanotypes are a series of two-dimensional objects, which carry the memory of light, three-dimensional space, and manual manipulation. His U-Shaped Valley sculptures began while looking at glaciers in Svalbard, north of the Arctic Circle. Instead of recreating glaciers, he began making sculptures that took on the shape of the land below the glaciers.
Image: Fritz Horstman, Folded Cyanotype 243, 2023. Cyanotype fluid on paper, 11 1/4 x 21”. Courtesy of the artist.
Galerie Martin Mertens, Berlin, Germany
September 7–October 10, 2024
A solo exhibition of work by 2025 artist-in-residence Tomoyuki Ueno, his third at the solo exhibition at Galerie Martin Mertens. The exhibition comprises work in three series:
In Ueno’s Sky Sculptures, he combines the structures of marble slabs with structures of cloud formations in the form of photographs.
The Forest series, in which Ueno collects y-shaped branches in Berlin forests and connects them with metal rings to form transparent curtains or reliefs.
A collection of work in ceramics, an ancient and respected medium in Japan. Ueno’s vases hold individual branches and are reminiscent of the equally ancient Japanese art of ikebana.
In Situ Fabien Leclerc, Paris France
September 8–October 26, 2024
A solo exhibition of new work by upcoming fall 2024 artist-in-residence Daniele Genadry.
"If Genadry's paintings provoke silence and induce contemplation, it's because they have something to do with stories of angels insofar as they are apparitional paintings. As apparitional paintings they are points of encounter between two dimensions: that of the pictorial space and the real space, the depicted space we see in the painting and the real space from which we see the painting.”
—Fares Chalabi, September 2024
Brooklyn Museum, Brooklyn, NY
October 4, 2024–January 26, 2025
The inaugural edition of The Brooklyn Artists Exhibition illuminates the breadth of talent in Brooklyn’s borough, including the work of 2025 artist-in-residence Brenda Zlamany.
Uniting more than 200 artists, this major group exhibition spotlights artists who have lived or maintained a studio in Brooklyn during the last five years (2019–24). Selected by a committee led by esteemed artists Jeffrey Gibson, Vik Muniz, Mickalene Thomas, and Fred Tomaselli, participants represent a full range of disciplines, from drawing and painting to sculpture, video, installation, and beyond.
With a title inspired by Magnum co-founder Robert Capa's quote, "If your pictures aren't good enough, you're not close enough," Close Enough presents more than 100 artworks by women, including alumni artist-in-residence Carolyn Drake.
Publication: 192 pages, 2024
Editor: Cristina de Middel, Andréa Holzherr, Isabel Siben
Texts: Charlotte Cotton, Cristina de Middel
Design: Sweeper Design (Laura Pecoroni)
Museum Helmond Netherlands
October 19, 2024 - March 23, 2025
Art Foyer Insurance Chamber Cultural Foundation Munich
April 24 - July 21, 2024
